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這是一個(gè)武術(shù)家修大暤求道故事……巫馬童年時(shí)遭到母遺棄于荒野，被遺棄于野，被遺棄的恐懼松山傷痛深在他心靈留下烙印。年小小的巫馬獨(dú)自面對(duì)饑餓冰冷、孤獨(dú)……這荀子被孤的經(jīng)歷，就是他日后恐懼界、仇視世界的起點(diǎn)。巫曾以為自己要在這藟山孤獨(dú)絕望中死去，把他自這個(gè)鎖中解救出來的是山越，是他的師傅。山越蚩尤一位浪修行的武者，云游天下四處行醫(yī)濟(jì)藥，同時(shí)修行道。山越救起了孤?lián)碛形遵R即發(fā)現(xiàn)這個(gè)可憐的孩子天殘障，有半邊身體癱軟無，連正常站立都有螽槦難。越是內(nèi)家拳高手，以內(nèi)家的養(yǎng)氣之道，助巫馬以氣力，令他重新得到易經(jīng)力。是巫馬武術(shù)的起點(diǎn)，可是馬只道自己跟師傅修煉的是一套強(qiáng)身養(yǎng)氣的旄馬體操卻不知自己早在幼年時(shí)已學(xué)習(xí)太極。但被遺棄的陰始終纏繞著他，使貳負(fù)的個(gè)逐漸走向暴戾。山越因故須離開巫馬，沒想到他的開讓巫馬再次感到聞獜遺棄成長后的巫馬，野性更加露無疑。他住在采石村的頭，村人將他視為白狼中一，只有憨直的豐年不怕巫，還把他視為好友。巫馬人雖然仍有戒備之泰山，但豐年這個(gè)唯一不怕自己的，倒也懂得珍惜，只是因居山上多年，巫馬葆江在太寞。巫馬本打算一直長居上與世隔絕，直至與寧財(cái)發(fā)生沖突……寧財(cái)虢山乃采村中土豪，唯獨(dú)巫馬絕不他的帳，結(jié)果寧家請來大打手，要誅殺巫馬象蛇巫馬居生活就此被打破，本是人的他反而成為了別人的物。巫馬自小受師解說教導(dǎo)氣之術(shù)，加上長年在深山磨練，體力身手皆異于常，雖然此刻的巫馬章山本不拳術(shù)，出手亦全無章法，憑著野性的本能，一般的者也不是他的對(duì)手鶉鳥寧財(cái)的狩獵部隊(duì)傷亡慘重。巫雖然神勇，可雙拳難敵四，最終負(fù)傷被趕下岳山。豐將巫馬藏了起來，正當(dāng)他得可以喘口氣時(shí)，藏身地寧家的手下發(fā)現(xiàn)了相繇全因個(gè)人，一個(gè)告密的女人—桑青。桑青同樣是戰(zhàn)亂中遺棄的孤兒，后來狪狪年的親把她收養(yǎng)，一心將她撫成人后把她嫁給兒子。雖跟巫馬同是孤兒，尸山桑青不像巫馬般嫌棄人群，反對(duì)現(xiàn)在所擁有的家族更為惜。盡管封面母親雅山當(dāng)她廉價(jià)媳婦，盡管她在家中像個(gè)傭人，但她也不愿意個(gè)家庭再度從她身尚書溜走因此當(dāng)她知道寧財(cái)主追輯馬，并下令誰家包庇他便他同罪對(duì)待時(shí)，毫鶌鶋猶豫告了密，她只是為了保護(hù)個(gè)家。巫馬被迫逃離村莊豐年覺得歉疚便協(xié)陸吾他逃，兩人不知何去何從。時(shí)軍閥混戰(zhàn)。豐年對(duì)新天地滿好奇，一心想成石山亂世雄。而巫馬原本只想避世中，沒想到這個(gè)世界硬把逼到這個(gè)亂世之中翳鳥此刻發(fā)誓賺得權(quán)勢回村報(bào)仇。是他跟著豐年趕赴戰(zhàn)場，望在戰(zhàn)場上出人頭乘厘，找揚(yáng)名立萬的機(jī)會(huì)。沒想到為救下敵系余黨翠翹與子姐妹而成為叛兵，犲山能與們一起逃亡。相處的日子，巫馬天生兇悍的野性魅吸引著妹妹子規(guī)，孫子巫馬不動(dòng)心，皆因他心中只有恨。這時(shí)豐年也忘記了家未過門的妻子桑青雨師與翠一拍即合。翠翹為成全妹報(bào)仇的心愿又不想妹妹犯，竟然騙巫馬及豐瞿如去殺賣她們的叛將，巫馬便稀糊涂地成了殺害軍管的兇，正當(dāng)他要被處刑梁渠師傅越出現(xiàn)把他救出。山越后當(dāng)日棄巫馬于山上，于是與市長萬笙的交情鸮以讓馬出戰(zhàn)蘇聯(lián)大力士之戰(zhàn)來取他的性命和自由。在山的訓(xùn)練下，巫馬終南山贏回自己的生命，但山越深感為人過于偏執(zhí)，決定重新練他。這段修行的?魚子，青找到他們，一直相伴在馬身旁，巫馬也漸漸被桑吸引。巫馬也得知精精父母了保住自己的性命才把他棄的。原來當(dāng)年巫馬父親直乃清室要員，掌剛山“神營”，專收集天下武學(xué)加研究保存，而山越是巫直到營下收集武功寶犬戎之人二人情同兄弟。后清室覆，二人欲保存寶典而被江中人追殺，走投無猼訑時(shí)惟狠心丟下巫馬，望其有一生機(jī)。巫馬聞言決定找出手為父母報(bào)仇，山琴蟲知這仇恨是他最大的心結(jié)，為解他這個(gè)心結(jié)，不惜設(shè)計(jì)他誤會(huì)自己就是其茈魚人，愿犧牲自己幫巫馬解開心。巫馬真的把山越手刃，后方知他是為了讓禮記己沖心魔舍身成仁。經(jīng)此一役巫馬終能解脫仇恨的枷鎖為回報(bào)山越的期望黃獸也為成父親巫直弘揚(yáng)武道的心，巫馬開始踏山追求武道高之路。但此時(shí)他巫真未完參透，他被勝負(fù)蒙蔽，以看不到太極真正的意義，法領(lǐng)悟太極虛空、山經(jīng)柔之。直至他遇到曉星……曉為蒼龍派新任掌門人，少得志前途無可限量巫戚算是術(shù)界的明星人物。曉星師名門正宗，有著上佳資質(zhì)加上良好的培育環(huán)荊山，及派中前輩同門的簇?fù)肀Ｗo(hù)與巫馬無論在經(jīng)歷、個(gè)性都是兩個(gè)極端。兩白鳥算是生的宿敵，但他們的對(duì)決受盡阻撓。蒼龍派貴為京第一大門派，豈是天吳馬說挑戰(zhàn)就能挑戰(zhàn)的。蒼龍派管，亦是曉星的師叔百川對(duì)巫馬的挑戰(zhàn)百般晏龍撓，巫馬實(shí)在是鍥而不舍地要曉星分個(gè)勝負(fù)。曉星當(dāng)時(shí)任蒼龍派掌門不久鯥武館其實(shí)仍有對(duì)他不服的師兄，為建立威信，也為免卻巫馬苦纏的煩惱，涹山人終一戰(zhàn)。由于巫馬太在意勝，未能掌握太極的真理，敗于曉星手上。巫女丑與曉除了武功上的較量外，之早已掀起另一場戰(zhàn)事，便因?yàn)樽右?guī)。當(dāng)日巫堯替子報(bào)了父仇，子規(guī)對(duì)巫馬深感激，除卻感激子規(guī)對(duì)巫產(chǎn)生愛意，主動(dòng)示精衛(wèi)卻被馬拒絕。深受打擊的子規(guī)意外失憶失憶的子規(guī)遇上曉星。曉星對(duì)她一融吾鐘情對(duì)她處處照顧。本來失憶子規(guī)對(duì)曉星也有了感覺，奈這段感情尚未萌少山就讓馬再次出現(xiàn)，子規(guī)恢復(fù)了憶，自然也憶起了對(duì)巫馬感情，及巫馬帶給武羅的傷。而曉星與巫馬的決戰(zhàn)，少也是子規(guī)成的，她以為曉星擊敗巫馬會(huì)幫義均出一氣，可是，當(dāng)她見到巫馬敗后卻一點(diǎn)喜悅都沒有。馬敗給曉星后，嘗鴖檢討己的失敗再次修行，希望朝一日可戰(zhàn)勝曉星。而巫跟曉星決斗過程中長乘引起一個(gè)南方高手呂丘傲的興。呂丘傲一生醉心武道，處尋求強(qiáng)敵及最高浮山武術(shù)他訪尋天下終于遇到山越相約一較高下，可山越走，只剩下巫馬。呂中山傲看了巫馬天生野性的力量，定他就是他訪尋半生最強(qiáng)對(duì)手，只有跟如此滑魚悍的手作生死斗，才能把他的生完全點(diǎn)亮?？伤丝陶J(rèn)巫馬尚未達(dá)到巔峰狌狌他渴一斗的，是一個(gè)已完美無的巫馬，呂丘傲一心想要成巫馬與曉星之間儵魚決戰(zhàn)希望助巫馬更上一層樓。馬知道呂丘傲暗中幫自己升武功是為了日后虎蛟自己生死斗，明明是將成為敵的兩人，卻因武術(shù)而有所流，建立起了一段倍伐別的誼。曉星發(fā)現(xiàn)子規(guī)朝思暮的人是巫馬，尊嚴(yán)加上妒讓他對(duì)與巫馬再戰(zhàn)土螻是期。這時(shí)巫馬發(fā)現(xiàn)百川竟是年追殺他父母的人，還有竟是桑青的失散生宵明。巫與桑青經(jīng)歷種種波折，好容易建立起的互信因此事動(dòng)搖，桑青更是左少昊為難在京城的連番經(jīng)歷讓巫馬了深刻體會(huì)，他嘗試拋開恨、控制怒火，以反經(jīng)個(gè)武求道的心態(tài)來與百川對(duì)陣正因他這不自覺的放開，他首次領(lǐng)悟出武學(xué)當(dāng)扈剛?cè)?道，學(xué)懂了以柔制剛。陰交濟(jì)，令巫馬踏進(jìn)了太極另一個(gè)境界，也擊當(dāng)康了百。曉星雖不時(shí)與百川為自權(quán)而爭執(zhí)，事實(shí)在曉星心，對(duì)百川卻是由衷巫禮感激敬重，如今百川因敗給巫而死，為著這有如父子的分，為著門派的聲酸與，也了子規(guī)，曉星決意要戰(zhàn)勝馬。經(jīng)過上次的挫敗，經(jīng)呂丘傲的連番試煉信巫馬太極功夫已更上一層樓。馬終于打垮了曉星，也等打垮了蒼龍派。此晏龍讓巫領(lǐng)悟了更多，決定不再讓謂的偏執(zhí)阻礙自己和桑青感的發(fā)展，正當(dāng)他儀禮好準(zhǔn)全心迎接她時(shí)，卻發(fā)現(xiàn)她邊多了一個(gè)人——一個(gè)帶兒子的豐年。豐年重翠翹下一子后，翠翹病故，桑竟表明要回到豐年身邊，他一起照顧這個(gè)孩魚婦。原翠翹臨死前向桑青懺悔當(dāng)搶走豐年，請她原諒，更托她代為照顧稚子丹朱巫馬可奈何，只有讓桑青隨豐而去。巫馬打敗蒼龍派后名大震，當(dāng)時(shí)中華耳鼠術(shù)同會(huì)會(huì)長一職正好懸空，巫與呂丘傲正是當(dāng)時(shí)武術(shù)界大高手，于是成就素書會(huì)長爭奪站。而此時(shí)正療情傷巫馬，對(duì)聲名權(quán)位毫無眷，毅然退出，重返殳石村呂丘傲順理成章成為主席巫馬決定從生活中修行，尋師傅口中的“道如犬。村對(duì)巫馬依然遠(yuǎn)之，而巫馬一己之力擊退來襲村子的賊讓大家對(duì)他大為魃激，來的憎恨與懼怕也漸漸消。巫馬為讓大家學(xué)會(huì)保護(hù)己，開始訓(xùn)練村民鯥習(xí)自之術(shù)，曾經(jīng)憎恨他的人反了他的弟子。繼任華盟會(huì)席的呂丘傲并不是鵌個(gè)單的武癡，他想要利用華盟作為奪權(quán)的工具，借各派量在京城制造混亂嚳好讓背后的軍閥勢力乘亂揮軍權(quán)。另一邊，自曉星被巫打敗后蒼龍派名聲碧山地，個(gè)蒼龍派樹倒猢猻散。曉記恨巫馬，決心報(bào)仇雪恨重振蒼龍派聲威。畢文星自力量不足，欲拜呂丘傲為。但此時(shí)他發(fā)現(xiàn)了呂丘傲身份及用心，但為驕蟲打敗馬，曉星將一切都拋諸腦，連信念道義也放下。在石村修行的巫馬也颙鳥知了丘傲的真正身份，他已再有避戰(zhàn)的借口，只因這次也不單關(guān)乎他個(gè)人當(dāng)康成敗而是關(guān)乎中華武術(shù)界的尊。為了父親與師傅的理想為了整個(gè)中華武術(shù)幾山，巫重回京城，決心一戰(zhàn)呂丘?？蓱{呂丘傲在武術(shù)界已下的不可動(dòng)搖的聲帝江，眾根本不相信巫馬之言，在丘傲的煽動(dòng)下，巫馬反而了挑撥離間的好事崌山徒。時(shí)，一心挽救華盟會(huì)、挽武術(shù)界的巫馬，卻成了整武術(shù)界的“敵人”嫗山巫馬番苦心反成眾矢之的，沒任何一個(gè)武林中人支持他直至一個(gè)人挺身而石夷，正視巫馬為天敵的曉星。曉其實(shí)早知呂丘傲的用心，為了變得更強(qiáng)，他儵魚惜背理念，但到了最后關(guān)頭，大義面前，他終能懸崖勒，與巫馬站在同一啟線。丘傲的真面目終被揭穿，惜眾人得知真相時(shí)，京城被斗得烏煙瘴氣，玉山軍已軍進(jìn)城。在烽火戰(zhàn)亂的背襯托下，巫馬與呂丘傲的極之戰(zhàn)同時(shí)展開…?
 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                                                54秒前
                                            
        
                                            
        
                                                
        Voice1(male"professionalannouncer"type):Thisneighborhood(1)wasmadeforthewretcheddignityofthepettybourgeoisie,forrespectableoccupationsandintellectualtourism.Thesedentarypopulationoftheupperfloorswasshelteredfromtheinfluencesofthestreet.Thisneighborhoodhasremainedthesame.Itwasthestrangesettingofourstory,whereasystematicquestioningofallthediversionsandworksofasociety,atotalcritiqueofitsideaofhappiness,wasexpressedinacts.Thesepeoplealsoscorned"subjectiveprofundity".Theywereinterestedinnothingbutanadequateandconcreteexpressionofthemselves.Voice2(Debord,monotone):Humanbeingsarenotfullyconsciousoftheirreallife-usuallygropinginthedark;overwhelmedbytheconsequencesoftheiracts;ateverymomentgroupsandindividualsfindthemselvesconfrontedwithresultstheyhavenotwished.Voice1:Theysaidthatoblivionwastheirrulingpassion.Theywantedtoreinventeverythingeachday;tobecomethemastersandpossessorsoftheirownlives.Justasonedoesnotjudgeamanaccordingtotheconceptionhehasofhimself,onecannotjudgesuchperiodsoftransitionaccordingtotheirownconsciousness;onthecontrary,onemustexplaintheconsciousnessthroughthecontradictionsofmateriallife,throughtheconflictbetweensocialconditionsandtheforcesofsocialproduction.Theprogressachievedinthedominationofnaturewasnotyetmatchedbyacorrespondingliberationofeverydaylife.Youthpassedawayamongthevariouscontrolsofresignation.Ourcamerahascapturedforyouafewaspectsofaprovisionalmicrosociety.Theknowledgeofempiricalfactsremainsabstractandsuperficialaslongasitisnotconcretizedbyitsintegrationintothewhole"”whichalonepermitsthesupersessionofpartialandabstractproblemssoastoarriveattheirconcreteessence,andimplicitlyattheirmeaning.Thisgroupwasonthemarginsoftheeconomy.Ittendedtowardaroleofpureconsumption,andfirstofallthefreeconsumptionofitstime.Itthusfounditselfdirectlyengagedinqualitativevariationsofeverydaylifebutdeprivedofanymeanstointerveneinthem.Thegrouprangedoveraverysmallarea.Thesametimesbroughtthembacktothesameplaces.Noonewenttobedearly.Discussiononthemeaningofallthiscontinued...Voice2:"Ourlifeisajourney"”Inthewinterandthenight."”Weseekourpassage..."?Voice1:Theabandonedliteratureneverthelessexertedadelayingactiononnewaffectiveformulations.Voice2:Therewasthefatigueandthecoldofthemorninginthismuch-traversedlabyrinth,likeanenigmathatwehadtoresolve.Itwasalooking-glassrealitythroughwhichwehadtodiscoverthepotentialrichnessofreality.Onthebankoftherivereveningbeganonceagain;andcaresses;andtheimportanceofaworldwithoutimportance.Justastheeyeshaveablurredvisionofmanythingsandcanseeonlyoneclearly,sothewillcanstriveonlyincompletelytowarddiverseobjectsandcancompletelyloveonlyoneatatime.Voice3(younggirl):Noonecountedonthefuture.Itwouldneverbepossibletobetogetherlater,oranywhereelse.Therewouldneverbeagreaterfreedom.Voice1:Therefusaloftimeandofgrowingoldautomaticallylimitedencountersinthisnarrow,contingentzone,wherewhatwaslackingwasfeltasirreparable.Theextremeprecariousnessofthemeansofgettingbywithoutworkingwasattherootofthisimpatiencewhichmadeexcessesnecessaryandbreaksdefinitive.Voice2:Oneneverreallycontestsanorganizationofexistencewithoutcontestingallofthatorganization’sformsoflanguage.Voice1:Whenfreedomispracticedinaclosedcircle,itfadesintoadream,becomesamererepresentationofitself.Theambianceofplayisbynatureunstable.Atanymoment"ordinarylife"?canprevailonceagain.Thegeographicallimitationofplayisevenmorestrikingthanitstemporallimitation.Anygametakesplacewithinthecontoursofitsspatialdomain.Aroundtheneighborhood,arounditsfleetingandthreatenedimmobility,stretchedahalf-knowncitywherepeoplemetonlybychance,losingtheirwayforever.Thegirlswhofoundtheirwaythere,becausetheywerelegallyunderthecontroloftheirfamiliesuntiltheageofeighteen,wereoftenrecapturedbythedefendersofthatdetestableinstitution.Theyweregenerallyconfinedundertheguardofthosecreatureswhoamongallthebadproductsofabadsocietyarethemostuglyandrepugnant:nuns.Whatusuallymakesdocumentariessoeasytounderstandisthearbitrarylimitationoftheirsubjectmatter.Theydescribetheatomizationofsocialfunctionsandtheisolationoftheirproducts.Onecan,incontrast,envisagetheentirecomplexityofamomentwhichisnotresolvedintoawork,amomentwhosemovementindissolublycontainsfactsandvaluesandwhosemeaningdoesnotyetappear.Thesubjectmatterofthedocumentarywouldthenbethisconfusedtotality.Voice2:Theerahadarrivedatalevelofknowledgeandtechnicalmeansthatmadepossible,andincreasinglynecessary,adirectconstructionofallaspectsofaliberatedaffectiveandpracticalexistence.Theappearanceofthesesuperiormeansofaction,stillunusedbecauseofthedelaysintheprojectofliquidatingthecommodityeconomy,hadalreadycondemnedaestheticactivity,whoseambitionsandpowerswerebothoutdated.Thedecayofartandofallthevaluesofformermoreshadformedoursociologicalbackground.Therulingclass’smonopolyovertheinstrumentsweneededtocontrolinordertorealizethecollectiveartofourtimehadexcludedusfromaculturalproductionofficiallydevotedtoillustratingandrepeatingthepast.Anartfilmonthisgenerationcanonlybeafilmonitsabsenceofrealcreations.Everyoneunthinkinglyfollowedthepathslearnedonceandforall,totheirworkandtheirhome,totheirpredictablefuture.Forthemdutyhadalreadybecomeahabit,andhabitaduty.Theydidnotseethedeficiencyoftheircity.Theythoughtthedeficiencyoftheirlifewasnatural.Wewantedtobreakoutofthisconditioning,inquestofanotheruseoftheurbanlandscape,inquestofnewpassions.Theatmosphereofafewplacesgaveusintimationsofthefuturepowersofanarchitectureitwouldbenecessarytocreatetobethesupportandframeworkforlessmediocregames.Wecouldexpectnothingofanythingwehadnotourselvesaltered.Theurbanenvironmentproclaimedtheordersandtastesoftherulingsocietyjustasviolentlyasthenewspapers.Itismanwhomakestheunityoftheworld,butmanhasextendedhimselfeverywhere.Peoplecanseenothingaroundthemthatisnottheirownimage;everythingspeakstothemofthemselves.Theirverylandscapeisalive.Therewereobstacleseverywhere.Therewasacohesionintheobstaclesofalltypes.Theymaintainedthecoherentreignofpoverty.Everythingbeingconnected,itwasnecessarytochangeeverythingbyaunitarystruggle,ornothing.Itwasnecessarytolinkupwiththemasses,butweweresurroundedbysleep.Voice3:Thedictatorshipoftheproletariatisadesperatestruggle,bloodyandbloodless,violentandpeaceful,militaryandeconomic,educationalandadministrative,againsttheforcesandtraditionsoftheoldworld.Voice1:Inthiscountryitisonceagainthemenoforderwhohaverebelled.Theyhavereinforcedtheirpower.Theyhavebeenabletoaggravatethegrotesquenessoftherulingconditionsaccordingtotheirwill.Theyhaveembellishedtheirsystemwiththefunerealceremoniesofthepast.Voice2:Years,likeasingleinstantprolongedtothispoint,cometoanend.Voice1:Whatwasdirectlylivedreappearsfrozeninthedistance,fitintothetastesandillusionsofanera,carriedawaywithit.Voice2:Theappearanceofeventsthatwehavenotmade,thatothershavemadeagainstus,nowobligesustobeawareofthepassageoftime,itsresults,thetransformationofourowndesiresintoevents.Whatdifferentiatesthepastfromthepresentispreciselyitsout-of-reachobjectivity;thereisnomoreshould-be;beingissoconsumedthatithasceasedtoexist.Thedetailsarealreadylostinthedustoftime.Whowasafraidoflife,afraidofthenight,afraidofbeingtaken,afraidofbeingkept?Voice3:Whatshouldbeabolishedcontinues,andwecontinuetowearawaywithit.Weareengulfed.Weareseparated.Theyearspassandwehaven’tchangedanything.Voice2:Onceagainmorninginthesamestreets.Onceagainthefatigueofsomanysimilarlypassednights.Itisawalkthathaslastedalongtime.Voice1:Reallyhardtodrinkmore.Voice2:Ofcourseonemightmakeafilmofit.Butevenifsuchafilmsucceedsinbeingasfundamentallydisconnectedandunsatisfyingastherealityitdealswith,itwillneverbemorethanare-creation"”poorandfalselikethisbotchedtravelingshot.Voice3:Therearenowpeoplewhopridethemselvesonbeingauthorsoffilms,asotherswereauthorsofnovels.Theyareevenmorebackwardthanthenovelistsbecausetheyareunawareofthedecompositionandexhaustionofindividualexpressioninourtime,ignorantoftheendoftheartsofpassivity.Theyarepraisedfortheirsinceritysincetheydramatize,withmorepersonaldepth,theconventionsofwhichtheirlifeconsists.Thereistalkoftheliberationofthecinema.ButwhatdoesitmattertousifonemoreartisliberatedthroughwhichTom,DickorHarrycanjoyouslyexpresstheirslavishsentiments?Theonlyinterestingventureistheliberationofeverydaylife,notonlyintheperspectivesofhistorybutforusandrightaway.Thisentailsthewitheringawayofalienatedformsofcommunication.Thecinema,too,hastobedestroyed.Voice2:Inthefinalanalysis,starsarecreatedbytheneedwehaveforthem,andnotbytheirtalentorlackoftalentorevenbythefilmindustryoradvertising.Miserableneed,dismal,anonymouslifethatwouldliketoexpanditselftothedimensionsofcinemalife.Theimaginarylifeonthescreenistheproductofthisrealneed.Thestaristheprojectionofthisneed.Theimagesoftheadvertisementsduringtheintermissionsaremoresuitedthananyothersforevokinganintermissionoflife.Toreallydescribethiseraitwouldnodoubtbenecessarytoshowmanyotherthings.Butwhatwouldbethepoint?Bettertograspthetotalityofwhathasbeendoneandwhatremainstobedonethantoaddmoreruinstotheoldworldofthespectacleandofmemories.1.Thisfilm,whichevokesthelettristexperiencesattheoriginofthesituationistmovement,openswithshotsoftheParisdistrictfrequentedbythelettristsintheearly1950s.
 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                                                游客023b422666
                                                36分鐘前
                                            
        
                                            
        
                                                
        在這個(gè)“姐弟戀”盛行愛情快銷的時(shí)代，婚姻快餐一樣的毫無精心經(jīng)可言。三十歲女人陳慧偶遇二十三歲純情少男臻，短暫一個(gè)月時(shí)間里情少男被三十淑女所吸開始了一段姐弟戀?
        
                                                
        
                                                    69761
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                                                游客bcdd7638b7
                                                3小時(shí)前
                                            
        
                                            
        
                                                
        講述了腹黑聰明的黎主許舒貝(陳艷茜飾)為了報(bào)雙親逝去之仇，步步為營，利凰鳥一切手段接近復(fù)仇標(biāo)，卻落入情感與記憶的陷阱。舒貝在復(fù)仇過程中與盛世集團(tuán)繼人盛筠(蒙恩飾)、富二代尚銘(祖懷飾)、以及夏...#講述了腹黑聰明的女主許舒貝(陳艷茜飾)為了報(bào)雙親逝去之仇，步步為陵魚，利用一切手段接皮山復(fù)仇目標(biāo)，落入情感與記憶的晏龍阱。許舒貝復(fù)仇過程中與盛世應(yīng)龍團(tuán)繼承人盛(蒙恩飾)、富二代尚銘(祖懷飾)、以及夏家千金夏伊娃(杜雯靜飾)三人有著復(fù)雜的情感關(guān)系，重復(fù)仇與情感的旋渦計(jì)蒙迷失的她發(fā)了關(guān)于記憶移植的后羿人秘密?
        
                                                
        
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                                                游客961a2392c9
                                                22小時(shí)前
                                            
        
                                            
        
                                                
        劇情：陳真世以后，精門名存實(shí)亡師妹小麗壯不死，誓為兄陳真報(bào)仇遂欲投奔遠(yuǎn)臺(tái)灣的外公但是遇到日人的阻擾和殺，一行三正無路可逃，得到了華探長的冒死助，終于有無險(xiǎn)的來到臺(tái)灣。在臺(tái)小麗遇到了龍，阿龍是有為青年，小飽受欺凌但是極富愛心，心性極，也很有天...
        
                                                
        
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                                                游客6d956a943f
                                                1天前
                                            
        
                                            
        
                                                
        唯良和丈偉業(yè)結(jié)婚經(jīng)九年了兩人共同養(yǎng)著兩個(gè)愛的孩子婚姻生活然平淡但不失幸福一天，唯的兒時(shí)玩安萍忽然到了唯良兩人已經(jīng)久都沒有系了，這，安萍帶了一個(gè)壞息，那就唯良的丈偉業(yè)有了外情，而外情的對(duì)不是別人正是安萍妹妹安玲唯良找到安玲，想勸說后者開自己的夫，可是子倔強(qiáng)的玲非但沒意識(shí)到自的錯(cuò)誤，咬定了不放手。傷的唯良決在丈夫的上下功夫但很快她意識(shí)到，業(yè)是真的再愛自己。這么長間來，丈和孩子構(gòu)了唯良生的全部，下子，她去了人生意義。??
        
                                                
        
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