凱拉（勞拉·喬丹 Laura Jordan 飾）、梅麗莎（尼姬·?？怂?Nicki Aycox 飾）、鮑比（尼克·扎諾 Nick Zano 飾）和尼克（凱爾·施密德 Kyle Schmid 飾）等四個(gè)年輕人正驅(qū)車(chē)前往拉斯維高山斯，準(zhǔn)備加那里舉行的聚會(huì)。他們的載半路拋錨，四人尋求幫助在荒野找到一座空無(wú)一人的子，繼而在倉(cāng)庫(kù)里找到一輛車(chē)。經(jīng)過(guò)一番討論，他們決留下聯(lián)系方式，暫時(shí)把車(chē)開(kāi)，并負(fù)責(zé)賠償車(chē)主的損失。 然而他們的想法過(guò)于天真這輛汽車(chē)的主人正是恐怖的釘（馬克·吉本 Mark Gibbon 飾），凱拉等人破門(mén)而入和偷走汽車(chē)的?魚(yú)徹底惹惱了他，銹釘?shù)寞偪?獵也隨即展開(kāi)。凱拉等人命一線…?
冬天，蒂妲絲頓拜訪落腳於國(guó)小山村四十年的好友約翰格，兩人漫步靄靄白雪的村、或深或淺地在小屋中聊起年記憶與歷史接。春天，透凝視動(dòng)物，經(jīng)一場(chǎng)人類與動(dòng)關(guān)係的思辨。天，於山村中三兩藝術(shù)家漫當(dāng)代政治，佐舊時(shí)影片、音，探索藝術(shù)如述說(shuō)政治。秋，蒂妲再度帶孩子拜訪約翰及約翰之子，視野遼闊的山生活中，發(fā)現(xiàn)承的意念存在所觀看的每一風(fēng)景。四部短象徵四季的更，而山村的風(fēng)、動(dòng)物、生活是年復(fù)一年的環(huán)，體現(xiàn)約翰中「無(wú)窮延伸此時(shí)此刻」。的思想及人生與古老的農(nóng)舍青翠的綠地、牧的牛群相呼應(yīng)，說(shuō)著這個(gè)界周遭人物景的故事，阿爾斯山裡的小村，則是最迷人舞臺(tái)。（以上自2016臺(tái)北金馬影展）The Seasons in Quincy is a feature-length documentary film in four parts by the Derek Jarman Lab at Birkbeck, in collaboration with Til da Swinton, Christopher Roth and Colin MacCabe. Together, the parts constitute a film portrait of John Berger, the British writer and thinker.In 1973 Berger abandoned the metropolis to live in the tiny Alpine village of Quincy. He realized that subsistence peasant farming, which had sustained humanity for millennia, was drawing to an historical close. He determined to spend the rest of his life bearing witness to this vanishing existence, not least by participating in it. Berger’s trilogy Into their Labours chronicles the peasant life of this Alpine village and its surrounding countryside. Our portrait places Berger in the rhythm of the seasons in Quincy.The four parts of the film each address different strands of Berger's life and work. The first, Ways of Listening, directed by Colin MacCabe, deals with fathers and friendship. Spring, directed by Christopher Roth, considers Berger's writing on our relationship with animals in juxtaposition with the animals that surround him in the Haute Savoie. A Song for Politics, directed by Colin MacCabe and Bartek Dziadosz, reflects on politics through a conversation between Berger, Colin MacCabe, Ben Lerner, Akshi Singh and Christopher Roth. The last part, Harvest, directed by Tilda Swinton, revisits Quincy to meditate on belonging and continuity with John and his son Yves.來(lái)自http://www.jarmanlab.org/the-seasons-in-quincy-four-portraits-of-john-berger.html
