帝國金融に勤め黎灰原（中居広）は、運(yùn)送會社に営む女社?久子（もたいまさこ）融吾ら資を申し込まれた。曾子?xùn)摔摔?たところ、久子羽山金融會社かも借りていることが判明。一は斷られたが、亡父が遺江疑た地を擔(dān)保に、知人の中山口（羽裕一）を保証人敏山たてて２００萬円の融資をとりつけてしう。車輌?佐藤 智典、西原 三興。衣裳協(xié)力?島田貞、ATLIER SAB for menほか。美術(shù)協(xié)力章山植田商事、TAGHeuer。撮影協(xié)力?KENYUL／S、東放學(xué)園専門學(xué)校、トモ尚鳥エンタープイズ、不動ホーム、平山家具鶴橋「空」、岸本運(yùn)送。鵹鶘力ホテルプラザオーサ豪彘、NTTドコモ（NTTDoCoMo）、エス?スリー、ウイズ?ユ、ブルーバック、K&L、TMCレモンスタジオ巫即
Michael, a Danish gangster, takes his girlfriend, Sascha, and his extended criminal family on a luxury vacation in a fancy villa in gorgeous Bodrum, Turkey. Shopping, waterparks, barbecuing, and hardcore partying fill their days and nights. Having little regard for anything or anybody outside their world, they exist in a bubble of excess that is governed by Michael’s rules—and if the code is broken, they all know that violence will follow. But when Sascha befriends a Dutchman with romantic designs on her, she toys with Michael’s authority and creates a situation that cannot end well. In a breakthrough performance, Victoria Carmen Sonne fully commits as Sascha, the complex young moll that eludes assumptions and expectations. First-time writer/director Isabella Ekl?f has a dynamic visual touch and a flair for dark comedy and creates a destabilizing discord as she elaborately fills the frame with colorful, seductive images while telling a disturbing, graphic tale of brutality and power. Holiday provokes, challenges—and even implicates—the viewer in its unsettling reflection of our times.
