halftone

In the different editions of the current music theory teaching books,the principles of halftone and full tone are not unified,in particular the definition of halftone and full tone.

當前不同版本的樂理教程中,關于半音、全音分類的原則不夠統一,特別是關于變化半音、變化全音的定義往往各執己見,莫衷一是,有的樂理教程還提出了“全音不分自然和變化,半音在十二平均律中也不分自然和變化”的觀點。

This article, by analyzing the characteristics and the technique, reveals the semitones, sonority, texture and micropolyphony in the work.

本文主要探討該作品中體現出來的半音化、音響效果機械化和模糊化、網狀織體及微復調寫作技術等幾個特點。