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The Integration of Ancient Chinese Poetry and Painting;

中國古代詩與畫的結合之路——繪畫之詩性獲得過程

‘Transience’ in poems and pictures;

詩、畫表現中的“一頃刻”

Genuineness results from simplicity: brief discussion on the simplicity and genuineness of Tao yuanming s poems;

平淡出真知——小釋陶淵明詩的平淡自然

On the Position of Classical Poems in Ancient History——A Brief Account on the Position of poems;

古典時期“詩”之文化定位論略

Different understanding and expression of human beings in different ancient Chinese poems and ci;

從倫理到世俗——中國古代詩詞對人的認識和表現的不同

Query on the Annotation of Su Shi s Famous Poems by Mr. Chen Er-dong & Jin Xing-yao;

陳邇冬、金性堯先生蘇詩名篇注釋質疑

On the "Mo" primers "Poems" several "Poetry" study on the "poetry".

《墨子》引《詩》論《詩》數次,考察其對《詩》、《書》以及對《詩》不同部分的選擇,可管窺《墨子》的《詩》學觀。

"Mozi"greatly borrows from"Poems" which are familiar to everybody to expound its own viewpoints for the support of its own rhyme theory.

《墨子》大量引《詩》來闡明自己的觀點,為其理論提供支撐。

The Compilation and Spread of The Book of Songs Before Confucius;

孔子之前《詩》的編撰與流傳

The Rhetorical Implication in Zhuxi s Study of The Book of Songs;

朱熹《詩》學理解修辭深刻意蘊探析

The Ideological Speech Construction and Renewal on the Book of Songs and the Spring and Autumn;

《詩》亡然后《春秋》作——意識形態真理話語的建構與更新

Jianjia in Book of Songs and Shangui in Encountering Sorrow or Chu Ci are outstanding literary pieces chanting romantic love.

《蒹葭》與《山鬼》分別為《詩經》與《楚辭》中詠唱愛情的出色篇章,然而,這兩篇內容相似的作品卻向讀者展示了《詩》與《騷》不同文體風格的差異,以及北與南不同地域風俗的差異。