IRTS,Infrared Telescope in Space

Discussion on the historic space of neutral clothing;

論中性服裝的歷史性空間

Courtyard Space of Traditional Houses in Liujiaqiao of Southern Hubei Province;

鄂南劉家橋古民居天井空間研究

Unscrambling Architectural Space of Kangbaiwan Manor;

解讀康百萬莊園的建筑空間

Optimal design of tool parameters for machining helical surface according to spatial arc approach method;

空間圓弧逼近法加工螺旋曲面的參數優化

Study on spatial design of visual image for inland cities;

內陸城市空間視覺形象設計分析

Preliminary study of spatial scale effects of soil erosionin Liaoning Province;

遼寧省土壤侵蝕空間尺度效應初探

On the Multiple Dimensional Representation of Painting;

試論繪畫的多重性“空間表現”

Stylists are seeking for a new art of three-dimensional structure, in which they can shape the dress by applying the material to human body or dress forms.

將立體構成的形式應用在立體裁制教學中可從兩方面入手:一為服裝材料與人體在空間的立體構成關系,二為服裝材料之間的局部立體構成關系。

Nowadays,a key appeal of upholstery is to create a healthy indoor environment by making full use of interior room,economizing on resources,and employing non-pollution and green environmental materials.

充分利用空間,節約資源,采用綠色環保無污染材料,創造健康舒適的室內環境,已成為當今室內裝潢的主要訴求——評判室內設計質量優劣的一個重要指標。

The room of happen-evolution of human in non-targetization through technique.

技術“揭示出”“精神觀念的直接生產過程”,人的非對象化以技術為發生———演化的空間。

At the same time, it broadens the room of language expressiveness and arouses readers aesthetic imagination.

作者主要通過簡短與繁復的空白,詞語嵌合的陌生化和借喻辭格的隱喻化,營造語言新秩序,加大語言容量,拓展語言空間,調動了讀者的審美想像力。

Lin and I pointed out that the decomposition theorem for Σ*Σ*-spaces should be considered again recently.

在林壽與我最近合作的一篇文章中指出了∑*-空間的構成定理需重新考慮。